Subject: Computers and the History of Art Conference
David Green (david@ninch.org)
Date: Mon, 27 Jul 1998 13:50:01 -0500
Message-Id: <v02130514b1e25ab8b9fc@[192.100.21.23]> Date: Mon, 27 Jul 1998 13:50:01 -0500 To: ninch-announce@cni.org From: david@ninch.org (David Green) Subject: Computers and the History of Art Conference
NINCH ANNOUNCEMENT
July 27, 1998
COMPUTING AND VISUAL CULTURE: Representation and Interpretation
September 24-25, 1998: London.
>Date: Mon, 27 Jul 1998 08:54:40 EST5EDT
>Sender: Visual Resources Association <VRA-L@UAFSYSB.UARK.EDU>
>From: Marlene Gordon <MGORDON@AB-F1.UMD.UMICH.EDU>
>Organization: University of Michigan - Dearborn
>Subject: Computers and the History of Art Conference
>
>The following message is being posted to several lists. Please
>forgive any duplicate messages that you may receive.
>
>Computers and the History of Art is holding its 14th Annual
>Conference at the Victoria and Albert Museum, London, 24-25 September
>1998.
>
>COMPUTING AND VISUAL CULTURE
>Representation and Interpretation
>
>Provisional Timetable
>
>Thursday, 24th Spetember
>
>10.00 Registration and Coffee
>
>10.30 Introduction
>10.40 Sean Cubitt, Liverpool John Moores University
> CABINETS, CHARTS AND CATALOGUES: PROBLEMS OF ORDER IN
> CONVERGENT MEDIA
>
>SESSION ONE: ISSUES
>
>11.40 Suzette Worden, Univesity of the West of England
> COMPUTING AND VISUAL CULTURE: REPRESENTATION AND
> INTERPRETATION. FROM THE 'EXPOSITORY' TO THE 'DECLARATIVE:'
> INTERPRETING THE WWW
>
>12.20 Bart Van Elderen, University of Nijmegen
> ONE IMAGE - TWO VIEWS: DIFFERENCES BETWEEN HISTORIANS AND ART
> HISTORIANS
>
>13.00 LUNCH
>
>14.10 Charlie Gere, Birkbeck College, University of London
> HYPERMEDIA AND EMBLEMATICS
>
>15.50 Irina D. Costache, Loyola University
> THE WORK OF ART (HISTORIANS) IN THE AGE OF ELECTRONIC
> (RE)PRODUCTION
>
>15.30 TEA
>
>16.00 Peter Walsh, Wellesley College
> THE HEADLESS CURATOR: VISUAL ARTS IN THE AGE OF UNIVERSAL
> ACCESS
>
>16.40 Evan Dickerson, Richmond, The American International
> University in London
> KULTURKAMPF: THE BATTLE TO SITE AND INTERPRET HITLER'S ART
>
>17.20 CLOSE OF SESSION
>
>RECEPTION: 'ADAM' LAUNCH
>
>
>Friday 25th Spetmeber
>
>SESSION TWO; PROJECTS AND APPLICATIONS
>
>10.15 Anna Salaman, Education Department, Victoria and Albert Museum
> GOING GRAPHIC: AN EDUCATIONAL EVENT AT THE V & A
>
>10.55 Samantha Littley, Natonal Gallery of Australia
> COUCH CULTURE: ACCESS AND ART AT THE NATIONAL GALLERY OF
> AUSTRALIA
>
>11.35 COFFEE
>
>12.00 Alison Stones, University of Pittsburgh
> TEACHING AND RESEARCH IN MEDIEVAL ART: THREE SITES
>
>12.40 Paula J. Behrens, Community College of Phildelphia and
> Jeffrey Cohen, Bryn Mawr College
> BUILDING WITH MEGABYTES: ESTABLISHING WEB-BASED IMAGE
> COLLECTIONS FOR ARCHITECTURAL HISTORY
>
>13.20 LUNCH AND DEMOS
>
>15.00 Neil Grindley and Catherine Gordon, Witt Library, Courtauld
> Institute of Art
> WITT LIBRARY: RECORD FOR COURTAULD GALLERY CD
>
>15.40 TEA
>
>16.10 Angie Geary and Nick Frayling, Royal College of London
> VIRTUAL CONSERVATION: AN INVESTIGATION OF THE ORIGINAL
> APPEARANCE OF 1) EXAMPLES OF EUROPEAN POLYCHROMED SCULPTURE
> AND 2) NICHOLAS HILLIARD'S PORTRAIT MINIATURES
>
>16.50 Gordon Selley, Pat Batley and Mark Gaved, London College of
> Printing
> DIGITISATION IN ART AND DESIGN (DIAD)
>
>17.30 CLOSE OF CONFERENCE
>
>For further information contact:
>Professor Will Vaughan
>Department of History of Art
>Birkbeck College
>43 Gordon Square
>London WC1H 0PD
>UK
>w.vaughan@hart.bbk.ac.uk
>
>
>Marlene Gordon
>University of Michigan-Dearborn
>mgordon@umich.edu
>
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