Subject: Archiving September 11, 2001
NINCH-ANNOUNCE (david@ninch.org)
Date: Tue, 16 Oct 2001 15:43:21 -0400
Message-Id: <p05100308b7f23c5f1011@[192.100.21.22]> Date: Tue, 16 Oct 2001 15:43:21 -0400 To: ninch-announce@ninch.org From: NINCH-ANNOUNCE <david@ninch.org> Subject: Archiving September 11, 2001
NINCH ANNOUNCEMENT
News on Networking Cultural Heritage Resources
from across the Community
October 16, 2001
Archiving September 11, 2001
http://September11.archive.org
* * *
How the Net Is Documenting a Watershed Moment
New York Times, October 15, 2001 By MATTHEW MIRAPAUL
http://www.nytimes.com/2001/10/15/arts/15ARTS.html?ex=1004190812&ei=1&en=2ae42345ae5682d6
>Approved-By: John.Chadwick@NAU.EDU
>Date: Mon, 15 Oct 2001 17:06:52 -0700
>Reply-To: Museum discussion list <MUSEUM-L@HOME.EASE.LSOFT.COM>
>Sender: Museum discussion list <MUSEUM-L@HOME.EASE.LSOFT.COM>
>From: kmancuso@SC.EDU
>Subject: NYTimes.com Article: How the Net Is Documenting a
>Watershed Moment
>To: MUSEUM-L@HOME.EASE.LSOFT.COM
>Status:
>
>This article from NYTimes.com
>has been sent to you by kmancuso@sc.edu.
>
>How the Net Is Documenting a Watershed Moment
>October 15, 2001
>By MATTHEW MIRAPAUL
>
>As the nation's cultural institutions start to ponder what
>they will collect and preserve from the events of Sept. 11,
>the Internet is figuring largely in their strategies.
>
>Information from the Internet is being continually
>collected in a major undertaking spearheaded by the Library
>of Congress. A new Internet site, September11.archive.org,
>went online on Thursday and already contains more than
>500,000 Internet pages related to the terrorist attacks and
>the United States reprisals, ranging from daily news
>reports to personal memorials.
>
>In a separate initiative, an informal coalition of 33
>organizations led by the Museum of the City of New York and
>the Smithsonian's National Museum of American History,
>plans this week to begin using an online forum to discuss
>and coordinate the collection of Sept. 11 materials. The
>effort may eventually lead to a joint Internet site
>exhibiting digital versions of their artifacts.
>
>"Historians are very good at looking back, but looking
>forward is a little bit tough," said Robert R. Macdonald,
>director of the Museum of the City of New York. "We're
>trying to decide what we owe history. We have to come to
>some decision-making in terms of what should be collected."
>
>
>For Diane Kresh, the director of the Library of Congress's
>public- service collections, the Internet provides source
>materials that belong in the library, especially as a
>document of a watershed moment that is still occurring.
>"The Internet has become for many the public commons, a
>place where they can come together and talk," Ms. Kresh
>said. "And you continue having that interaction with other
>people long after you've stopped reading the daily news
>story or seeing the nightly newscast, so it has a kind of
>continuum experience that other media don't have."
>
>Every conceivable corner of the Internet is jammed with
>reactions to the attacks, and September11.archive.org is an
>attempt to corral the Net's wildly diverse contents into a
>central research repository. The project is a collaboration
>among the Library of Congress; the nonprofit Internet
>Archive, which is building a vast digital library at
>archive.org; and webArchivist.org, an academic research
>project financed by the Pew Charitable Trusts.
>
>The library's two partners began making digital copies of
>news sites and pertinent Internet pages within hours of the
>attacks. On Sept. 12 curators, reference specialists and
>language experts at the library drafted an initial list of
>150 sites that were to be archived regularly, a roster that
>has since grown to 1,100 entries. A form was also put on
>webArchivist .org so anyone could submit links.
>
>Now that the archive has opened, visitors can search its
>contents by date or a keyword like "tragedy." In addition
>to international news, local- government and personal
>tribute sites, the archive is likely to store pages from
>jihad-themed sites that have since been taken offline.
>Brewster Kahle, founder of the Internet Archive, justified
>that potentially controversial decision: "What's the role
>of a library in a time like this? I think it's to be an
>unbiased sanctuary for real research."
>
>Although the archive is still being compiled, Mr. Kahle
>insisted that the site be opened now to the public. "What
>you will see is not what any librarians would smile at," he
>said. "The collection will have holes in it. One of the
>reasons to get it out there quickly is so people can say,
>`You're missing this.' "
>
>The creators of the archive are developing a "Webscape"
>feature that, by the end of the month, should enable
>visitors to assemble an annotated list of select pages -
>for instance, the most poignant fire department memorial
>sites - and share it with friends via e-mail. Steven M.
>Schneider, co-director of webArchivist.org and a
>political-science teacher at the SUNY Institute of
>Technology at Utica/Rome, said, "I think of the archive as
>a canvas, and I want to give people the tools to paint
>their impressions."
>
>Ms. Kresh said she did not know how much longer that
>archive data would be collected, but "at this point, there
>is no end in sight." And when the process is done, she
>said, the archive might reside in the library's "American
>Memory" collection of online historic resources at www.loc
>.gov, next to digitized copies of Sunday-school books and
>Civil War memorabilia. The library is also collecting oral
>histories of Sept. 11 on audio cassettes, but it has yet to
>decide whether those will be put online.
>
>Just who is collecting what is of great concern to Mr.
>Macdonald of the Museum of the City of New York. From
>mayoral papers to fliers of the missing, the artifacts from
>this event will be of potential interest to historians, he
>said, and "it would be unfortunate if museums, libraries
>and archives viewed this as a competition."
>
>In part to raise this issue, Mr. Macdonald and his
>Smithsonian counterparts met on Oct. 4 with 70
>representatives from history oriented organizations,
>including the New-York Historical Society, the New York
>City Fire Museum, the Municipal Archives and the Lower East
>Side Tenement Museum.
>
>With so many parties involved, the best medium for
>communication is the Net. An electronic mailing list is
>being set up so the players can trade notes.
>
>Although the electronic discussions will be private,
>excerpts are to be publicly posted on a soon-to-open
>Internet site, 911history.net. This site will also permit
>visitors to contribute artifacts.
>
>If all goes well, it is possible that the organizations
>will jointly produce, in time for the first anniversary of
>the attacks, an Internet site where their different
>collections can be communally exhibited.
>
>Both Mr. Macdonald and Ms. Kresh acknowledged that their
>endeavors provided a way to cope with the tragedy. Mr.
>Macdonald said the New York meeting with his peers was
>therapeutic, and Ms. Kresh said mounting the $100,000
>archiving project was "also a way to work through it
>emotionally and intellectually."
>
>David Silver, director of the Resource Center for
>Cyberculture Studies at the University of Washington, said:
>"As we go online more and more, elements of our everyday
>lives also go online. We see thousands of people waving
>flags in a park and we see protests, but a lot of this
>action is also online. It's important to capture this
>historical moment."
>
>http://www.nytimes.com/2001/10/15/arts/15ARTS.html?ex=1004190812&ei=1&en=2ae42345ae5682d6
>
>
>
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>New York Times on the Web, please contact Alyson
>Racer at alyson@nytimes.com or visit our online media
>kit at http://www.nytimes.com/adinfo
>
>For general information about NYTimes.com, write to
>help@nytimes.com.
>
>Copyright 2001 The New York Times Company
>
>=========================================================
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>
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Approved-By: John.Chadwick@NAU.EDU
Date: Mon, 15 Oct 2001 17:06:52 -0700
Reply-To: Museum discussion list <MUSEUM-L@HOME.EASE.LSOFT.COM>
Sender: Museum discussion list <MUSEUM-L@HOME.EASE.LSOFT.COM>
From: kmancuso@SC.EDU
Subject: NYTimes.com Article: How the Net Is Documenting a Watershed Moment
To: MUSEUM-L@HOME.EASE.LSOFT.COM
Status:
This article from NYTimes.com
has been sent to you by kmancuso@sc.edu.
How the Net Is Documenting a Watershed Moment
October 15, 2001
By MATTHEW MIRAPAUL
As the nation's cultural institutions start to ponder what
they will collect and preserve from the events of Sept. 11,
the Internet is figuring largely in their strategies.
Information from the Internet is being continually
collected in a major undertaking spearheaded by the Library
of Congress. A new Internet site, September11.archive.org,
went online on Thursday and already contains more than
500,000 Internet pages related to the terrorist attacks and
the United States reprisals, ranging from daily news
reports to personal memorials.
In a separate initiative, an informal coalition of 33
organizations led by the Museum of the City of New York and
the Smithsonian's National Museum of American History,
plans this week to begin using an online forum to discuss
and coordinate the collection of Sept. 11 materials. The
effort may eventually lead to a joint Internet site
exhibiting digital versions of their artifacts.
"Historians are very good at looking back, but looking
forward is a little bit tough," said Robert R. Macdonald,
director of the Museum of the City of New York. "We're
trying to decide what we owe history. We have to come to
some decision-making in terms of what should be collected."
For Diane Kresh, the director of the Library of Congress's
public- service collections, the Internet provides source
materials that belong in the library, especially as a
document of a watershed moment that is still occurring.
"The Internet has become for many the public commons, a
place where they can come together and talk," Ms. Kresh
said. "And you continue having that interaction with other
people long after you've stopped reading the daily news
story or seeing the nightly newscast, so it has a kind of
continuum experience that other media don't have."
Every conceivable corner of the Internet is jammed with
reactions to the attacks, and September11.archive.org is an
attempt to corral the Net's wildly diverse contents into a
central research repository. The project is a collaboration
among the Library of Congress; the nonprofit Internet
Archive, which is building a vast digital library at
archive.org; and webArchivist.org, an academic research
project financed by the Pew Charitable Trusts.
The library's two partners began making digital copies of
news sites and pertinent Internet pages within hours of the
attacks. On Sept. 12 curators, reference specialists and
language experts at the library drafted an initial list of
150 sites that were to be archived regularly, a roster that
has since grown to 1,100 entries. A form was also put on
webArchivist .org so anyone could submit links.
Now that the archive has opened, visitors can search its
contents by date or a keyword like "tragedy." In addition
to international news, local- government and personal
tribute sites, the archive is likely to store pages from
jihad-themed sites that have since been taken offline.
Brewster Kahle, founder of the Internet Archive, justified
that potentially controversial decision: "What's the role
of a library in a time like this? I think it's to be an
unbiased sanctuary for real research."
Although the archive is still being compiled, Mr. Kahle
insisted that the site be opened now to the public. "What
you will see is not what any librarians would smile at," he
said. "The collection will have holes in it. One of the
reasons to get it out there quickly is so people can say,
`You're missing this.' "
The creators of the archive are developing a "Webscape"
feature that, by the end of the month, should enable
visitors to assemble an annotated list of select pages -
for instance, the most poignant fire department memorial
sites - and share it with friends via e-mail. Steven M.
Schneider, co-director of webArchivist.org and a
political-science teacher at the SUNY Institute of
Technology at Utica/Rome, said, "I think of the archive as
a canvas, and I want to give people the tools to paint
their impressions."
Ms. Kresh said she did not know how much longer that
archive data would be collected, but "at this point, there
is no end in sight." And when the process is done, she
said, the archive might reside in the library's "American
Memory" collection of online historic resources at www.loc
.gov, next to digitized copies of Sunday-school books and
Civil War memorabilia. The library is also collecting oral
histories of Sept. 11 on audio cassettes, but it has yet to
decide whether those will be put online.
Just who is collecting what is of great concern to Mr.
Macdonald of the Museum of the City of New York. From
mayoral papers to fliers of the missing, the artifacts from
this event will be of potential interest to historians, he
said, and "it would be unfortunate if museums, libraries
and archives viewed this as a competition."
In part to raise this issue, Mr. Macdonald and his
Smithsonian counterparts met on Oct. 4 with 70
representatives from history oriented organizations,
including the New-York Historical Society, the New York
City Fire Museum, the Municipal Archives and the Lower East
Side Tenement Museum.
With so many parties involved, the best medium for
communication is the Net. An electronic mailing list is
being set up so the players can trade notes.
Although the electronic discussions will be private,
excerpts are to be publicly posted on a soon-to-open
Internet site, 911history.net. This site will also permit
visitors to contribute artifacts.
If all goes well, it is possible that the organizations
will jointly produce, in time for the first anniversary of
the attacks, an Internet site where their different
collections can be communally exhibited.
Both Mr. Macdonald and Ms. Kresh acknowledged that their
endeavors provided a way to cope with the tragedy. Mr.
Macdonald said the New York meeting with his peers was
therapeutic, and Ms. Kresh said mounting the $100,000
archiving project was "also a way to work through it
emotionally and intellectually."
David Silver, director of the Resource Center for
Cyberculture Studies at the University of Washington, said:
"As we go online more and more, elements of our everyday
lives also go online. We see thousands of people waving
flags in a park and we see protests, but a lot of this
action is also online. It's important to capture this
historical moment."
http://www.nytimes.com/2001/10/15/arts/15ARTS.html?ex=1004190812&ei=1&en=2ae42345ae5682d6
HOW TO ADVERTISE
---------------------------------
For information on advertising in e-mail newsletters
or other creative advertising opportunities with The
New York Times on the Web, please contact Alyson
Racer at alyson@nytimes.com or visit our online media
kit at http://www.nytimes.com/adinfo
For general information about NYTimes.com, write to
help@nytimes.com.
Copyright 2001 The New York Times Company
=========================================================
Important Subscriber Information:
The Museum-L FAQ file is located at http://www.finalchapter.com/museum-l-faq/ . You may obtain detailed information about the listserv commands by sending a one line e-mail message to listserv@home.ease.lsoft.com . The body of the message should read "help" (without the quotes).
If you decide to leave Museum-L, please send a one line e-mail message to listserv@home.ease.lsoft.com . The body of the message should read "Signoff Museum-L" (without the quotes).
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