**IMPORTANT HOTEL UPDATE**
The Westin Gaslamp Quarter is SOLD OUT of Monday conference-rate rooms; rooms are available at The Bristol San Diego less than a 3-minute walk away.
CNI guests may reserve accommodations online at: CNI Overflow Room Block The Bristol San Diego.
CNI Spring 2020 Membership Meeting
March 30-31, 2020
Westin Gaslamp Quarter, San Diego, CA
Representatives from CNI member organizations gather twice annually to explore new technologies, content, and applications, to further collaboration, to analyze technology policy issues, and to catalyze the development and deployment of new projects. Each member organization may send two representatives.
Project briefings are the very heart of every membership meeting, allowing participants to interact informally about projects, initiatives, and ideas of their own choosing. Anyone may propose a project briefing, including groups/individuals from non-member institutions and organizations.
Robert Sanderson, The Getty Trust
Robert Sanderson is an internationally known information scientist and expert in Linked Open Data and cultural heritage standards. He is the J. Paul Getty Trust’s first Semantic Architect and is a passionate advocate for open digital cultural heritage. He is responsible for the design and direction of cultural heritage data information models and their implementation with a primary goal of striking the right balance between ease of publication and consumption, and the precision of the data’s semantics. He has previously been a Standards Advocate at Stanford University, a Research Scientist at Los Alamos National Laboratory’s Research Library, and a Lecturer in Computer Science at the University of Liverpool.
Tara McPherson, University of Southern California
Tara McPherson is Professor and Chair in USC’s School of Cinematic Arts, Director of the Sidney Harman Academy for Polymathic Study, and Faculty Chair of Visions and Voices. She is author of two award-winning books, Feminist in a Software Lab (Harvard University Press 2018) and Reconstructing Dixie (Duke 2003), as well as co-editor of Hop on Pop (Duke 2003) and Transmedia Frictions (California 2014), and editor of Digital Youth, Innovation and the Unexpected (MIT 2008.) Her scholarship engages the cultural dimensions of media with a particular interest in digital media. Here, her research focuses on the digital humanities, early software histories, gender, and race, as well as upon the development of new tools and paradigms for digital publishing, learning, and authorship.
Code of Conduct
CNI is committed to maintaining a welcoming and inclusive environment for inquiry, constructive disagreement, and intellectual freedom and honesty. We do not tolerate personal attacks, harassment of any kind, violence, or disruptive behavior. Please be respectful of our community’s diversity and generous of others’ views. If you have concerns, please talk to a member of the CNI staff. In case of emergency, dial 911.